Socially responsible literature, for the purposes of this award,
may describe categorical human transgressions in a way that compels
readers to examine their own prejudices. It may invoke the necessity
for economic and social justice for a particular ethnic or social
group, or it may explicitly examine movements that have brought
positive social change. Or, it may advocate the preservation of
nature by describing and defining accountable relationships
between people and their environment. The mere description
of an injustice, or of the personal predicament of an exploited
person, without any clear
position of social analysis invoked by the writer, does not in
itself constitute
socially responsible literature. "Social responsibility" describes
a moral obligation of individuals to engage with
their communities in ways that promote a more respectful coexistence.
Clear, analytical and literary accounts of political and social
injustice (either current or historical) include the following
excellent examples: Beloved, by Toni Morrison; Snow Falling on
Cedars, David Guterson; To Kill a Mockingbird, Harper Lee; Crows
Over a Wheatfield, Paula Sharp; Bastard Out of Carolina,
Dorothy Allison; The Women’s Room, Marilyn French; Memoirs
of An Ex-Prom Queen, Alix Kates Shulman; Mean Spirit,
Linda Hogan; Cloudsplitter, Russell Banks; The Poisonwood Bible, Barbara Kingsolver;
The Color Purple, Alice Walker. Other contemporary contributors
to this tradition include Michael Dorris, Louise Erdrich,
Ursula Hegi, Ursula K. LeGuin, Ruth Ozeki, Grace Paley, Marge Piercy,
and John Edgar Wideman.
These authors notwithstanding, issues of social responsibility
have in recent decades held a less commanding place in U.S.
literature than in the wider world. Social commentary in our
art is frequently viewed with suspicion. Its advocacy does not
fall within the stated
goals of any major North American publisher, endowment, or prize
for the
arts. The Bellwether Prize was conceived to address this deficiency.
We would like
to see the place of conscience in our nation’s artistic landscape
restored to the same high position it holds elsewhere in the world.
By means of this prize we hope to enlist North American writers,
publishers, and readers to share in this crucial endeavor.